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Chris Ardoin & Double Clutchin', Best Kept Secret (Rounder, 2000) |
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Best kept secret? Not if anyone who appreciates zydeco music has anything to say about it. Chris Ardoin and Double Clutchin' offer up a stellar CD of smooth, tightly produced songs that place Ardoin and his band in the zydeco firmament. Before I go any further, I just want to clarify something: "zydeco music" and "Cajun music" are not interchangeable terms. While they originated in the same region of the country and each has contributed to the other, if you pick up a zydeco CD and expect to hear Cajun music, it is likely that you will be disappointed. Zydeco music is essentially dance music; in fact, Ardoin's family is known for setting the pace at concerts and festivals. The music features accordion and scratchboard (also called rubboard) and a strong driving beat. On Best Kept Secret, Ardoin plays accordion, rhythm guitar, lead guitar, rubboard and second bass on "Papa Was a Rollin' Stone." He also sings lead and background vocals. One would think that he wouldn't need a band, but Ardoin is backed up more than ably by Nat Fontenot While there is some similarity among the tracks, Ardoin instills each with subtle individuality, whether it's a lyric that catches your ear and won't let go, the crisp frenzy of Ardoin's accordion or the energized arrangements. The band's cover of "Papa Was a Rollin' Stone" is nearly manic in its intensity. "Storm Don't Last Long" has a hint of gospel in it while "Chris's Trail Ride" has a cowpoke's lope. "Lyin' Cryin' and Tryin'" has a catchy chorus: "I was lyin' just to get you/I was cryin' when I got you/Now I'm trying to forget you." And in "What's in That Bayou?" you can practically smell the swamp. The songs flow into each other well, and there isn't a bad track on the CD. Chris Ardoin and Double Clutchin's Best Kept Secret is a keeper. [ by Donna Scanlon ] |
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