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Keith Sykes, Let It Roll (Fat Pete, 2006) |
Keith Sykes, who is from Memphis and lives there yet, recorded his first album for Vanguard in the early 1970s. He's been an active figure in the music industry ever since, issuing nine records, none of which -- amazingly to me -- I have managed to hear. I catch up with him on this, his 10th. Before that, I knew him best as a sporadic collaborator with his pal John Prine (most recently on "Long Monday" from Prine's 2005 Fair & Square).
At this stage of his career, Sykes' songwriting ambitions are modest, and nothing here swings for the bleachers or shoots for the stars. I like that. Though in the liner notes he lists Bob Dylan among his influences, Dylan's influence is surely a distant one. Straightforward and earthbound, Sykes' lyrics are typically delivered with rueful grin or chuckle, observing ordinary life in which nobody dies, gets killed, drowns in despair or misbehaves melodramatically. It all ends winningly with a song that, in common with other Sykes creations, turns out better than its title would lead one to anticipate. "You Better Be Ready to Dance" brings back -- at least in melody, lyric, setting and gentle Mexican rhythm -- the desert ghost of Marty Robbins. by Jerome Clark |