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Kiran Ahluwalia, Kiran Ahluwalia (Triloka, 2005) |
Kiran Ahluwalia's self-titled album is her first international release, and I'm torn. On the one hand, this is a rare treat of an album, a rich infusion of traditional Indian ghazal poetry with modern influences and other traditions. On the other hand, I'm ready to blame everything from the International Monetary Fund to the next red light for the previous absence of this album in my life.
Ahluwalia never sacrifices the traditional integrity of her music for mass appeal, but she finds ways to incorporate surprising innovation into her work. Her collaboration with fiddler Natalie MacMaster blends the human resonance of her lyrics with the energy of a faerie reel. Her own compositions live perfectly alongside the traditional stories. She seems to have an instinctive knowledge of what is essential and unchangeable to her subject, and where modifications will add to that essence. Kiran Ahluwalia is proof, if any was needed, that trials of the spirit and joys of the heart are common to every culture. She's also a reminder of the glories to be found in the unique expression of those experiences, and of the beauty to be found in honoring those traditions. by Sarah Meador |