The Arrival tells the story of an immigrant who leaves his homeland for reasons that are unclear but definitely seem to be unpleasant. He is overwhelmed by his new home and absolutely nothing seems familiar, to the point of no longer being recognizable. The food is different, the language is different, the currency is different, the animals are different and he cannot read the writing. His inability to read is demonstrated quite graphically, literally, by having all the writing use an alphabet other than any I have seen from any country on Earth. He must find a place to live, a job so that he can support himself and figure out how to survive. The foreignness and the overwhelming strangeness of the land is demonstrated by having many ordinary objects be much larger than normal, as well as having a definite surreal atmosphere pervade the entire book. Will the immigrant find a way to live? Can he find happiness? Can he be reunited with his family?

This might be the most unusual book I have "read," and it is hard to review it. Brian Selznick's The Invention of Hugo Cabret was about 70 percent illustrations, blended seamlessly with text, yielding a riveting tale. The Arrival is 100 percent illustrations, which appear to be pencil drawings. The illustrations are excellent in quality, making this at least as much an art collection as a novel. The content varies from photograph-like to surrealism, slightly reminiscent of a blend of Van Gogh and Rivera. The paper is very high in quality and the cover looks almost like an ancient leather-bound manuscript. The entire book has an antique look and feel to it, with the paper looking aged and slightly water stained around the edges, and a sepia tone to the images.

My initial impression of the book was the author had gone a bit too far in making his point. By taking the unfamiliar and portraying it as surreal and unearthly, I thought this was an example of overstatement causing the author to lose track of his own point. But this is a book that, once read, keeps echoing and reverberating. I now think I was taking it too literally, at first, as the more lasting impression is one of the book having been truly haunting and, despite the downright alien (as in extraterrestrial) look of many of the images, Shaun Tan has genuinely captured the feel of chronic and pervasive displacement experienced by many immigrants. Again, like some artwork, the impact of this book is not immediate, but in its lasting effect.

Personal note: On the cover of the book is an image of the protagonist, and an animal that is not of this reality. That animal, the protagonist's pet and companion in the strange land, became symbolic of what I think of the book: at first, I saw it as a prime example of the author going too far; now, I want a critter like that! In a way, you can judge this book by its cover.