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Margaret Peterson Haddix, Just Ella (Simon & Schuster, 1999; Aladdin, 2001) |
So many fairytales end with a simple "happily ever after" ... but is it ever really so simple? Just Ella, by Margaret Peterson Haddix, turns the Cinderella story on its ear by exploring the young girl's motivations and examining gender roles that apply, honestly, But what options does she have? Very few, given the role of women -- even princesses in training -- in her society. But Ella is clever and very, very stubborn when she makes up her mind. Unfortunately, Ella's instructors are very, very intimidating -- and resourceful, too. Of note, this book gives us a Cinderella who does not rely on fairy godmothers, talking mice or convertible pumpkins to make her way to and from the prince's ball. Determined to go despite the scorn of the "step-evils" who plague her life, Ella uses the resources at hand and no small amount of ingenuity to get herself where she wants to be (as explained in a brief but entertaining flashback, in which we learn that glass slippers hurt). The whirlwind romance that followed was unexpected, and she allows herself to be swept away by the sheer storybook fantasy of it all. Fortunately for Ella, it takes more than fine clothes and frippery to keep her contented for long. Her story could easily be touted as a lesson in gender equality and free will among women. Or it can be appreciated simply as a new take on an old tale. Either way, Just Ella can be enjoyed by a broad audience -- although evil stepmothers might want to read something slightly less upsetting. - Rambles |